The names of the second and third sons are reversed, "Eugene" with "Edmund". Mary, lost in her drug-laden dreams of the past, comes downstairs. He was infected by Jamie who was seven at the time and had been told not to enter his room but disobeyed.
Mary notices and starts becoming defensive and belligerent, berating Jamie for his cynicism and disrespect for his parents. She has a soft and attractive voice with a "touch of Irish lilt when she is merry".
She also makes it clear that while she fell in love with her husband from the time she met him, she had never taken to the theatre crowd.
James explains his stinginess, and also reveals that he ruined his career by staying in an acting job for money. However, she still retains the haggard facial features of a long-time addict.
She was once extremely pretty and is still striking. He has her big dark eyes and hypersensitive mouth in a long narrow Irish face with dark brown hair and red highlights from the sun. Jamie is quick to point out that the only reason he has survived as an actor is through his father's influence in the business.
He looks like both his parents but more like his mother. Hardy, due to her inability to face the reality and severity of the situation. James goes in to dinner all alone, knowing that Mary is really going upstairs to get more drugs. His money is all tied up in property which he hangs onto in spite of impending financial hardship.
He traveled the world by working in the merchant navy and caught tuberculosis while abroad. He is politically inclined to have socialist leanings.
He wears his clothing to the limit of usefulness. Jamie and Edmund converse, and Jamie confesses that although he loves Edmund more than anyone else, he again ambiguously lashes out at his father calling on him to fail. Cathleen — "The second girl", she is the summer maid. Act IV[ edit ] Midnight Edmund returns home to find his father playing solitaire.
He has thinning hair, an aquiline nose and shows signs of premature disintegration. Edmund — 23 years old, the younger and more intellectually and poetically inclined son. While the two argue and drink, they also have an intimate, tender conversation.
James O'Neill achieved commercial success in the title role of Dumas ' The Count of Monte Cristoplaying the title role about 6, times; he was criticized for "selling out" for commercial success at the expense of artistic merit.
He asks her to "promise not to worry yourself sick and to take care of yourself. He has "streaks of sentimental melancholy and rare flashes of intuitive sensibility". He and his father argue a great deal about this. He asks her to "promise not to worry yourself sick and to take care of yourself.
She talks about her past in a Catholic convent and the promise she once had as a pianist and the fact that it was once thought that she might become a nun.
Holding her wedding gown, she babbles incoherently about her convent days and falling in love with James, while her husband and sons silently watch her. Edmund berates Jamie for being suspicious. When Mary dozes off under the influence of the morphine, Cathleen exits to prepare dinner.
Act I[ edit ] 8: Hardy, due to her inability to face the reality and severity of the situation.Long Day's Journey into Night is a American drama film adaptation of the Eugene O'Neill play. It was directed by Sidney Lumet, and produced by Ely Landau, with Joseph E.
Levine and Jack J. Dreyfus, Jr. as executive producers. Long Day's Journey into Night is a play written by Eugene O'Neill that was first performed in Nov 27, · Some prints of "Long Day's Journey Into Night" run minutes, and are missing a number of scenes in the first 1/3 of the film, including the original opening scene, and a long exterior scene between and, containing dialogue crucial to the understanding of 's character/10(4K).
Author Eugene O'Neill gives an autobiographical account of his explosive homelife, fused by a drug-addicted mother and a father who wallows in drink after realizing he is no longer a famous actor.
“There are two main reasons to undergo Long Day’s Journey Into Night. The first is Lesley Manville’s breathtaking performance. The second is Jeremy Irons’ suave. Long Day's Journey into Night is a American film adaptation of the Eugene O'Neill play.
It was directed by Sidney Lumet, and produced by Ely Landau, with Joseph E. Levine and Jack J. Dreyfus, Jr. as executive producers.Download